Robert Edwards and the history of Australian rock art research
M. A. Smith
A B E , J. Ross C and R. G. Kimber D
+ Author Affiliations
- Author Affiliations
A Archaeology, CHASS, Flinders University of South Australia, Bedford Park, SA 5042, Australia.
B National Museum of Australia, Canberra, ACT 2601, Australia.
C Archaeology, School of Humanities and Social Sciences, University of New England, Armidale, NSW 2351, Australia.
D PO Box 2436, Alice Springs, NT 0871, Australia.
E Corresponding author. Email: mike.smith@nma.gov.au
This article is part of a forthcoming virtual issue to be titled ‘Histories of archaeology in Australasia and the Pacific’, an initiative of the ARC Laureate Fellowship project ‘The collective biography of archaeology in the Pacific: a hidden history’, based at the Australian National University under the direction of Matthew Spriggs.
Historical Records of Australian Science 32(1) 41-51 https://doi.org/10.1071/HR20011
Published: 11 September 2020
Abstract
Working in the 1960s, Robert (Bob) Edwards was a key figure in the development of research into Australian rock art. He was one of the first rock art scholars to attempt a quantitative and comparative survey of rock engravings in south and central Australia. In this paper, we examine the development of his work on rock engravings, the intellectual context for his research, and the problems he addressed. Edwards’ research took place during a decade when rock art research became more systematic, analytical and quantitative. Although Edwards’ research on rock engravings was influential, his subsequent career shows a shift from an antiquarian interest in which he regarded rock art as an archaeological relic of an ancient Australia, to a more humanist perspective, where he began to appreciate that many of the sites that he regarded as ancient were part of a living tradition.
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